Performing Arts Center of Northern Arizona, Inc. www.pac-naz.org
Special Needs Learners
Home
Our Location
Conference/Retreat Center
About Us
Business Plan
Programs
Special Needs Learners
Contact Us

child_with_outstreched_arms.gif

"Our first journey is to find that special place for us..." Earl Nightingale

In addition to providing top-notch performing arts education, we strive to create a prevention program for at risk, abused, medically fragile, physically or mentally challenged while, at the same time, offering a life changing camp experience in the area of performing arts.  We believe that positive results lead to lifestyle changes and overall growth in each learner. 
 
By having programs focused on the individual the students may realize very positive results--free from disabling affects of physical and emotional abuse they may be experiencing in their own situations.  It is a collective energy and commitment that produces these positive results. 
 
We draw upon broad resources that depend on the actions of businesses, government agencies, medical communities, educators, other non-profits, and a community attitude of acceptance and support.
 
All businesses are welcome to become supporting partners in this worthwhile endeavor.  All gifts are tax-deductible.  Donors are recognized.  We constantly seek funds to accomplish the very best environment to ensure each learner's greatest success.
 
A scholarship program is in place.  Our goal is that no Special Needs Learner and Health Care Provider would ever be turned away due to lack of  tuition. 
The scholarship finance campaign is on-going. 
 

 Objective

To create, develop and implement a winning strategy for statewide outreach, education and awareness, in turn, garnering increased and community support and participation. 

 

Situation Analysis

Programs for individuals with special needs are lacking in the state of Arizona.  The services provided by Performing Arts Center of Northern Arizona (Pac-Naz) are unique and, unlike their counterparts, are able to offer a wide range of valuable programs addressing the multiple needs of disabled and special need individuals throughout our state.

 

Pac-Naz has determined several overreaching needs at this time.  These are:

 

  • Generate awareness and support, through public relations, media and outreach, of the Pac-Naz development project
  • Generate awareness, support and participation in the Pac-Naz pilot programs at various locations throughout the Valley
  • Facilitate information delivery to people in Arizona with special needs and their families.
  • Develop a coalition of support for the Pac-Naz Special Needs Project, reigning in both public and private

 We propose to work with churches, schools, neighborhood groups and other organizations to help spread the word through newsletters, gatherings and one-on-one interaction with members.  In addition to working with smaller groups, we would explore possibilities with larger nonprofit and not-for-profit organizations that serve the target community.

 

Similar to grassroots outreach, grass-tops outreach emphasizes alliances with the civic-based organizations and other local community leadership. 

 

We understand that media relations consist of generating opportunities to place accurate and timely stories about the Pac-Naz campaign in appropriate media outlets.  The purpose of media relations is to create and sustain a beneficial environment for the education and outreach efforts supporting the project that result in the involvement and support of target populations.

 

 Accurate news stories can be more effective than advertising because their publication or airing implies the endorsement of the particular media outlet – often a trusted source of information in the community.  Placement efforts can be bolstered with press releases, interviews, editorials, photo opportunities, and media-driven events.  In addition, we propose to evaluate the costs and benefits of engaging identifiable and credible spokespeople who can drive media – not to mention program participation interest.

 

 

These are everyday people with special needs, many whose lives have been touched by a physical or mental disability.  There is no earth-shattering immediate crisis, or life-threatening urgent demand that sparks a surge of assistance.  These fellow Arizonans live quietly and make up a large portion of our neighborhoods and communities.  Performing Arts Center of Northern Arizona (Pac-Naz) has developed a focused program for this often “forgotten population”.

 

There appears to be rather general agreement on the basic intellectual needs of humans.  Some of these include:

 

  • A need for challenging experience at their own level
  • A need for intellectually successful and satisfying experiences
  • A need for the opportunity to solve problems
  • A need for opportunity to participate in creative experiences instead of always having to conform

 

Due to the overall decline in school programs in the area of the arts, Pac-Naz was founded to provide music, dance, technology, theatre, visual arts and performing arts specific to the learner.  Specifically, they have developed a program tailored to the needs of the Special Learner.

 

One of the utmost concerns of educators is the problem of how to provide for creative expression so that a learner may develop and/or discover his/her interest, talent, or skills more fully.  All learners need an outlet in which to experiment, express original ideas, to think, to react, and to be led.

 

Desirable learning takes place when the person is free to create his/her own reponses in the situation faced.  Directing possible responses through the experience of art and music/drama creates a very positive outcome.  Individualization is key.  Fine arts with movement and therapy are a wonderful and effective approach to the overall development of the Special Learner.  The concepts founded by Pac-Naz which can be  developed through direct body movement crosses the cultural lines of disabled and non-disabled – resulting in complete acceptance of people as individuals, learning and accomplishing at their own level.

 

The arena for special learners in the Performing arts is slim.  The Special Leaner may include:

  • Learners of special education determination, in accordance with AZ Department of Education Guidelines
  • Learners of physical limitations, whether from birth or not
  • Leaners with serious illness, including asthma, diabetes, cancer and heart disease
  • Learners of abuse, emotional or physical
  • Leaners living in poverty
  • Homeless learners
  • Learners of the foster care system
  • Gifted
  • Leaners of mental illness

 

Pac-Naz’s goal is to become one of the leading non-profit performing arts centers for youth and conference/retreat centers in Arizona.   We intend to accomplish this goal by offering a facility and curriculum that meet client needs better than any competitor by bulding an overall superior camp setting, through careful hiring and continuous training and development, closely evaluating their successes, by offering programs for the disabled leaners, by offering superior service to conference attendees, by utilizing state of the art technology, and by contributing to the overall development of the community.

 

The Need

 

Pac-Naz has determined several overreaching needs at this time.  These are:

 

  • Generate awareness and support, through public relations, media and outreach, of the Pac-Naz development project
  • Generate awareness, support and participation in the Pac-Naz pilot programs at various locations throughout the Valley
  • Facilitate information delivery to people in Arizona with special needs and their families.
  • Develop a coalition of support for the Pac-Naz Special Needs Project, reigning in both public and private sector as well as individuals with a vested interest in the arts community

 

To this end, we are seeking program sponsors to support the goals, both financially and through networking via employees and corporate associates.

 

A tax deductible donation, allows for you to share the journey with Pac-Naz to reach the goals.  In addition, your company or organization  benefits through positive impact to your business reputation, market share, profitability, brand identification, community and government relations, and credibility.

 

Together, we have the power to make a difference in the lives of our fellow citizens of Arizona.  Please consider the part in which you choose to be an integral part of it.

 The Opposite Cliff

 

The man stood on the edge of the cliff, looking toward the cliff opposite him.  On it stood his heart’s desire, the fulfillment of this every dream.  At last his goal was attainable, within sight, and all the years of struggle had culminated in this one final task.  Hundreds of feet below him, he could see the river winding its way through the canyon floor, the dry heat of the desert rising from the valley to meet the brightness of the sun high above in the blue sky.  The same sun that illuminated that which he lacked.

 

He judged the task from all angles once more.  Too far to jump, and there seemed to be no way down the cliff face he was on, nor a way up the one opposite.  There were no materials to build a means of crossing, no ropes or vines to swing like Tarzan.

 

So close!  This wasn’t the Grand Canyon after all; it was not insurmountable!  It simply couldn’t be. Not after all his work, not after all this time.  He refused to believe it, but at the same time just didn’t see a solution.  Stymied, he sat down to ponder what he might do now.

 

Isn’t that always the way?  Problems come and go; some are fixed with a little hard work and commitment. And sometimes, many times, the solution just isn’t obvious, isn’t readily implemented to bring a happy ending.  What happens then?  What do we do when we can’t figure out where to turn?

 

Many charities in Arizona have this problem.  These charities regularly stand at the edge of the precipice, looking at the yawning chasm before them wondering how they’ll bridge the gap.  They have oftentimes years of hard work and undaunting determination behind them, and are within sight of their final goal.

 

Pac-Naz stands on one side of that canyon.  They can see Brett, Lillian, and Eileen on the other side; scared, alone, so easily within sight, so closely within reach.  They cannot reach them.  But why?  Maybe it’s a lack of available staff.  Maybe it’s that the resources aren’t in place within the State.  Maybe they are out of funds, or their funds aren’t mandated for those needs, even though they’re persistent and endemic.

 

Now what about our friend on the cliff?  We’ve left him sitting there, pondering his options and facing his dilemma alone.  But is he really?  From nearby he hears a noise, one he hadn’t heard before, so intently he was focused on the treasure before him.  It’s a voice – no, it’s more.  It’s many voices, coming from nearby.  He stands and decides to investigate, moving swiftly to his left, around a curve.  There he finds a party of people, hikers from the look of them, happily laughing and taking pictures.  He watches as they carefully pick their way along a trail he hadn’t seen before, would never have seen, had it not been for their voices calling to him.  The trail leads down, down, down to the valley.  As he watches the line of people far below, like tiny ants, he sees them making their way to the other side, to climb up a similar path on the opposite cliff.  So easy!

 

Catching sight of him, the party of hikers invites him to join them, which he does, readily.  The voices in the middle of nowhere become his comrades in reaching his goal, in achieving his life’s dream.  He achieves through the assistance of virtual strangers.

 

 

 

 

 

 

 

The man stood on the edge of the cliff, looking back over all he had accomplished.  He saw the many years of hard work, the footsteps of his path as it weaved in and out and around again, to get him to where he stood today.  He had everything he’d dreamed of, had achieved all this.  But as he well knew, with his new friends all around him and reveling in his success, he had not done it alone. 

 

Pac-Naz cannot do it alone.  The Brett, Lillian, and Eileen cannot do it alone.  

 

 

 Calvin Coolidge:  "No enterprise can exist for itself alone.  It ministers to some great need, it performs some great service, not for itself, but for others." 

 

THE PERFORMING ARTS CENTER OF NORTHERN ARIZONA--

MEETING THE NEEDS OF THE SPECIAL LEARNERS

A Report Introducing the Focus and Direction for Special Camp Sessions

 

Development Team:  Dr. Shirley Sullivan, Ed.D, Performing Arts Education, School Administration

                                    Mr. Bill Lewis, Ed.S, Family Counselor/Therapist

                                    School Psychologist

Jeanne Schofield, BA, Educational Services, Valley of the Sun School and Habilitation Center

                                    Shelley Bates, LPN; Special Education Medicade

                                    Specialist

                                    Keri Mickelson, MA, Federal Grant Writer, School

                                    Administration

Bonnie Shimko, Care Coordinator for Special Needs Children at Red Rock Pediatrics; Facilitator for the Medical Home Project in Verde Valley; Marketing Director and intake specialist at Eden Center.

 

 

 

A special thanks from the Pac-Naz Board to the above team of consultants, tirelessly giving of themselves in order that learners of all situations may have the same chances. 

 

“All that I have seen teaches me to trust the Creator for all I have not seen.” Ralph Waldo Emerson.

 

            There appears to be rather general agreement on the basic intellectual needs of humans.  Some of these include:

  1. a need for challenging experiences at their own level
  2. a need for intellectually successful and satisfying experiences
  3. a need for the opportunity to solve problems
  4. a need for opportunity to participate in creative experiences instead of always having to conform

Desirable learning takes place when the person is free to create his/her own responses in the situation faced.   Directing possible responses through the experience of art and music/drama create a very positive outcome.   Individualization is a key. 

 

            One of the utmost concerns of educators is the problem of how to provide for creative expression so that a learner may develop and/or discover his/her interest, talent, or skills more fully.   All learners need an outlet in which to experiment, express original ideas, to think, to react, and to be led.  

 

            The arena for special learners in the Performing Arts is slim.  For the sake of this document, an attempt to identify the special learner is made—but in no way limits the scope of the focus.  The Special Learner may include:

·         Learners of Special Education determination, in accordance with AZ Dept. of Ed. Guidelines.

·         Learners of Physical Limitations, whether from birth, or not.

·         Learners with serious illness, including Asthma and/or Diabetes, Cancer, Heart Desease

·         Learners of Abuse, emotional or physical.

·         “At Risk” Learners, gang endangerment, street survivors.

·         Learners living in poverty.

·         Homeless learners.

·         Learners of the Foster Care System

·         Gifted

·         Learners of Mental Illness

·         Others

 

These categories of learners need a rubric specific to each.  For “The Learners of The Foster Care System, Homeless Learners, Learners of Abuse, Gifted Learners, Learners Living in Poverty, ‘At Risk’ Learners” an emphasis on

  • Positive mentoring 
  • Building trust
  • Building self-esteem
  • Demonstrating Responsibility with tasks, attitudes and actions
  • Setting goals and reaching them
  • Feeling encouraged
  • Being an encourager
  • Trying something new
  • Strengthening an existing skill
  • Performing in front of a group
  • Positively experiencing “living together” at camp
  • Being on a team for sports activities
  • Caring for equipment, sports uniforms, etc
  • Caring for and using musical instruments
  • Acquiring skills via the MIDI computer lab
  • Successfully following a schedule and routine
  • Memorization of scripts and music and dance
  • Construction of sets and props and costumes
  • Learning about lighting designs for productions
  • Photography classes
  • Expressing self through art mediums
  • Sharing completed projects with pride and respect
  • Encouraging others with regard to art creations
  • Accepting multi-cultures
  • More

are to be experienced all or in part during a camp session of The Performing Arts Center of Northern Arizona, Inc.

 

Please see the following information from Mrs. Keri Mickelson, educational consultant, with regard to the above collection of learners. 

“As an educational consultant to more than a dozen school districts and charter schools throughout Arizona including Navajo Reservation districts, I understand the immense need for a fine arts camp to be made available to children, adolescents, and teenagers who are underprivileged. 

The Arizona school districts face an insurmountable challenge in offering all students ample opportunities to explore the arts.  Their funds are too limited.  All students are shortchanged.  The population of students that suffers most are those whose parents and communities are trapped in poverty. 

The Performing Arts Center of Northern Arizona will target those students in need of help, and offer opportunities for arts education, counseling, and safety.

Federal and state funding that is available to school districts (currently titled NCLB funds) will be able to be earmarked by schools and districts to send students to camp.  This type of camp is exactly what districts throughout Arizona have been looking for in order to be able to contract out the teaching of fine arts in a way that is economical, efficient, and effective.

I look forward to witnessing the success of students who would otherwise miss this awesome opportunity to attend a topnotch fine arts camp”.

 Mrs. Mickelson also serves on the Pac-Naz board and offers her skill in the area of Federal Grant Writing.   Her tireless efforts have added greatly to the progress of this worthwhile project.

 

We feel that the above-mentioned learners will do best when “mainstreamed” into a regular performing arts camp experience.  The only area that would be different, or adjusted for them is the area of mentoring and individualization in order to help them achieve at a productive level. 

 

Understanding that they will be attending camp with students having been exposed to much more in the way of ownership of instruments, exposure to performances, prior experiences in camps, having played on teams, having had private lessons, etc., brings our consulting team to focus on providing extra personnel in order to insure success of the special needs learners.  Also, by providing training in the area of interacting with said students success will be realized by both the camp counselors and the learners is to be achieved.

 

A comprehensive training manual of Disability Awareness serves as an effective tool of preparation for staff, faculty, counselors, aides, etc.  The following, inconclusive list represents some items included in the training materials:

·         An inspiring story

·         Aims of introducing PHYSICAL DISABILITY

·         Definitions and descriptions of PHYSICAL DISABILITIES

·         What causes PHYSICAL DISABILITIES

·         Implications for daily living

·         Tips for getting along with a person who uses a wheelchair

·         Ways of assisting

·         Interacting with people with disabilities

Additional chapters will be added to include emotional and mental aspects.

A careful and thorough evaluation will provide the necessary input to constantly improve programming.

 

“Getting the word out” to possible scholarship providers plays a big part in the success of this avenue of our program. 

 

For the learners in the categories of “Special Education, Physical and Mental Limitations, Autistic Spectrum, Chronic Illness, and/or Abuse” the performing arts camp experience, ideally is exactly the same, however it must be specifically designed to allow flexibility for the individual needs of each learner. In addition to the items listed for the first group of learners, this group will have added:

 

            Developmental goals for this group include:

  • Socialization—Music as a social activity
    • The learner responds to his/her own identity
    • The learner interacts with a partner
    • The learner interacts successfully in a small group
    • The learner functions independently in music activities
    • The learner adapts easily to new situations

Cognitive—Academic skills are used and support growth in the other school curriculum

            Areas

o        Numbers and counting

o        Names of self and others

o        Color recognition recall

o        Body parts

o        Naming objects

o        Alphabet—letter recognition

o        Left/Right

o        Same/Different

o        Recalling Directions

o        Restating Directions

 

Self-Help—Clothing, Hygiene, Safety, Meals, New Environment

 

Gross Motor—Movement

o        Body Awareness

o        Balance/agility

o        Strength-endurance

o        Laterality: Left/Right sides of body

o        Directionality: forward, backward, sideways, etc.

 

Fine Motor—Manipulating object by mostly hands and fingers

o        Grasp, release, transfer

o        Paper, pencil, scissors, table games

o        Musical Instruments

o        Art materials of a wide variety

 

Lesson plans adapted to fit the needs of each student, focusing on art and/or music, will be used.  While the teacher helps with the student’s basic learning, a good positive feeling for music and art is sure to grow.  The joy the learner feels in hearing and producing the sounds of music and the visual joy of art, make the task of the teacher more enjoyable and meaningful. 

 

In the area of Musical Therapy, Movement can utilize the body as the instrument of expression.  The most natural form of creative expression is movement.  Musical experiences and activities with movement and expression allow the participant to feel motivated to try, to feel success and an increase in self-esteem.

 

With movement, crossing the cultural lines of age, community, and the society of the habilitation individuals, can be accomplished.

Sharpening the senses and developing motor skills can develop basic skills.  The following outline identifies some concepts, which can be developed through direct body movement:

  • Body Image (body parts, relating body and body parts to the environment, movement with parts, usage of body parts)
  • Space and Direction (Participants participate as a group and as separate individuals.)
  • Balance
  • Basic Body Movements
  • Eye-Hand coordination (ball bouncing, bean bag or ring toss, etc.)
  • Eye-Foot Coordination (propelling ball with feet)
  • Rhythm (marching, clapping, feeling the steady beat)
  • Fine Muscle Activity (coordination and fine eye muscular movement using the recorder, a wind instrument)
  • Large Muscle Activity (parachute activities, tinikling poles, rhythm sticks, ribbons, scarves, etc.)
  • Memory Recall

These listed skills are extremely important to the establishment of a sound foundation for development.  Diagnosis of progress in skills development can be obtained by teacher observation and the participant’s self-evaluation.

Such physically oriented activities as games of circle formation, stationary relays, rhythmic activities and creative, expressive rhythms can be utilized effectively to provide meaningful and satisfying learning activities for positive overall growth and development.

 

Fine arts with movement and therapy are such a delightful approach to the overall development of the learners.  This particular design crosses the cultural lines of disabled and non-disabled—resulting in complete acceptance of people as individuals, learning and accomplishing at their own level.

 

Music, as a form of expression, is for everyone.  When an environment is established to allow for individual expression and feeling toward the presentation of music it is truly an educational experience.  To involve the learners in the “feel” of music, similar lessons may be presented:

  • Ribbons—wave the ribbons with the phrases of the music.  Experience the beautiful colors as the whole group participates.
  • Rhythm Sticks—allow for the steady beat to be felt. 
  • Hoops and Balls will add a dimension of skill to the experiences.  As hoops are lofted and swayed and the smoothness of the music is felt, the balls, on the other hand, will bring the element of surprise, bounce and quickness of movement.
  • Tinikling Poles—will be a new experience for all.  The tinikling poles are placed on the floor and are leaped over.  The entire body will become a part of the excitement.  As the cymbals crash and the full orchestra presents itself like none other can, the participants will have a chance to take hands and share space with each other as they work together to enjoy the music and leap over the poles in a very new way of expression.
  • Parachute activity—The beauty of the colors, alone, make this an unforgettable sight.  Each participant finds space at the edge of the large, 24-foot in diameter parachute.  As the music swells and each hand gripping that magical edge begins to feel the tension and energy the reaction to the combining of the magnificent music with the unbelievable sight of the parachute as it lifts and bellows is a sight to behold!  This activity in itself makes an impression on every mind—like none other can!
  • Recorders—will offer a stretch for some and be quite easy for others.  Each learner will accomplish on his/her own level.  A recorder is a flute-like instrument of the orchestra.  It is a member of the woodwind section—although it is made of plastic.  The participants, on a 1:1 ratio, place colored dots to the fingers.  By using a “follow the leader” type of plan the learner is led by his/her own ability to follow and accomplish.  They experience a grand surprise when they “play” the instruments along with a recorded music, created especially for this activity.  They will experience the “full band” sound as they play their instruments. 

 

Day to day enrichment at camp is enhanced with fresh confidence to try something new.  Each individual, teacher, staff, parent, or volunteer will conduct himself or herself in a most professional way.  All working adults will wear the uniform shirt and be easily recognizable as staff. Each adult worker will be trained in the areas of:

    1. Purpose
    2. Demonstration
    3. Encouragement
    4. Evaluation
    5. Safety
    6. Respect
    7. Flexibility
    8. Consistency
    9. Patience
    10. Mentoring
    11. Disability Awareness Training

 

The relationship between the Valley of the Sun School and Habilitation Center and The Performing Arts Center of Northern Arizona is a good, solid relationship.  Pac-Naz looks forward to having the Learners from “Valley” on the Pac-Naz campus. 

Please read on for input from Jeanne Schofield, consultant and team member.  Since November of 1990 Jeanne Schofield has served as Director of Day Programs at Valley of the Sun School and Habilitation Center, providing for the total operation of the Day treatment and Training Program.  Past and Present Projects include:  Director of Social Services, Case Management Services, tribal contracts, Department of Education, Program Supervisor and Training Specialist, Teacher for Institutional for AZ/DES/DDD/ATPT, Habilitation Technician. She is a valuable asset to the Performing Arts Center of Northern Arizona as a consultant in this special area.

 

            “The Valley of the Sun School and Habilitation Center supports individuals with disabilities.  We strive to offer opportunities for these individuals to achieve maximum independence, as well as social and vocational fulfillment.  We are constantly upgrading our programs to enhance the quality of life of all individuals by providing superior education, vocational, residential and adult day services.

We are thrilled to share in the vision of The Performing Arts Center of Northern Arizona as an effective tool for providing experiences via performing arts and fine arts.  The possibility of sending selected learners to such a camp opens the door for life changing discoveries.  Our residents love music and crave any experiences involving music. 

            We currently have identified talented artists among our residents.  Original watercolor creations are on display in our Administration Building; 7 designs, of the collection of 30 original paintings, have been made into note cards—2 holiday cards and 3 as posters.  We look forward to the possibility of attending camp at The Performing Arts Center of Northern Arizona and having these particular, gifted artists further their talents—and explore additional avenues of expression via art. 

            Primarily, the children receiving services from “Valley” are children with developmental disabilities whose primary disability is mental retardation.  Our services also extend to those with physical disabilities, hearing impairments and traumatic brain injuries. 

            Each student’s educational needs are met as well as many unique medical requirements in which the aides are specially trained to meet.  The samples of lessons for activities to be presented to the learners are adaptable and thorough, with good scope and sequencing toward the desired outcome.  

            The positive outcome of such a camp experience as this is limitless.  Each student will bring home his/her specific learning.  Overall, the growth that is inevitable is the exposure to a new and different environment, new skills of independence, new exposure to music, drama, art mediums, games, theatrical lighting, sound, costuming, and general preparation for performing in front of an audience; and then, the real chance of performing in front of an audience!

 Whether it’s singing, dancing, or beating on a drum, I know that every one of our students will be thrilled to have a real chance—just the same chances that all other learners receive.   We have dedicated ourselves to serving individuals with disabilities.  With the addition of attending The Performing Arts Center of Northern Arizona we are able to expand our curriculum to include excellent learning activities in the area of art/drama/and music. And beyond the arts, I believe that these experiences reach way beyond the scope of any lesson plan and from there-- learning, in ways we could never guess, takes place.   It is an honor for me to offer my input and wholehearted support for this worthwhile endeavor.”

 

 Shelley Bates currently serves in the Special Education Department as the Medicaid Specialist for the Peoria School District.  Shelley coordinates the Direct Service Claiming Program and the Medicaid Administrative Claiming Program; this program measures the work effort of approved staff that works with medical and health related services that perform activities that are reimbursable by Medicaid.  Shelley worked in the nurse’s office of an elementary school and served as the nurse for the medically fragile students, transporting them to and from school.  She is a licensed LPN, since 1979. Her valuable contribution is appreciated.

 

 Shelley Bates shares her words:

“I appreciate the opportunity to assist you in identifying the individuals for the Performing Arts Center of Northern Arizona, Inc.

 

There are many individuals who have disabling conditions but even with a disability, all individuals have the capacity to learn.  This concept is achieved through individualized instruction with training that focuses on their strength.

 

Individuals with learning disabilities face many challenges but with the efforts of parents, teachers, and others who work closely with them, the overall development of an individual can be reached, as well as their physical, emotional, social and vocational potential.

 

I believe that the challenges that individuals face today is only increasing.  In many cases, it is due to the disability but for others it is due to physical and emotional abuse by family members or friends.  It is important that all individuals no matter what the circumstance, that they be given opportunities to grow academically and to develop their social skills, self-awareness and self-esteem.

 

Individuals with disabilities and those who are in difficult times emotionally need a positive, supportive and caring environment, as well as one that will be safe and educational.  I feel that with the objectives Pac-Naz has outlined in developing character, discipline, leadership and to strive for excellence will be the environment needed for such individuals.

 

The staff will need to be flexible and responsive in adapting to the needs of the individuals, which can differ from one person to the next.  It will be important for all staff to work together by careful planning and constant evaluation of the program and their progress throughout their camp experience.  This experience should leave the individual feeling as though they are important and have been able to contribute to that experience.  I believe that employees each bringing their own skills and experience, will be able to meet the needs of all individuals.

 

Pac-Naz will be a wonderful opportunity for many individuals with special needs.  Many of these individuals do not have the funding for such an experience and by having the Scholarship Program made available, it will allow them the opportunity they otherwise would not have.  I also feel that having the camp in Northern Arizona among the pine trees will also give the individuals a wonderful experience with the beauty of nature.

 

The attitude that staff should have with those with special needs should be one of encouragement along with providing a positive experience to all who attend.  It is very important that individuals are not treated differently because of their disability.  The experience should be the same for everyone.

 

I believe the Special Education Department of any school district works closely with teachers and parents regarding the needs of the individual.  The nurses are also an integral part of their progress.  Marketing for the Performing Arts Center should be focused to the Special Education Departments of every school district, as well as every nurse in each school in that district.

 

I look forward to working with everyone associated with The Performing Arts Center of Northern Arizona, Inc.

Thank you for allowing me the privilege to be a part of this wonderful endeavor.”

 

 

Having all the plans in the world are of no value without a plan of administering and marketing the concept to the participants.  Currently the need is so very great.  Bonnie Shimko serves throughout the Verde Valley and Northern part of Arizona as Care Coordinator for Special Needs Children at Red Rock Pediatrics; and as Facilitator for the Medical Home Project in Verde Valley; and as Marketing Director and Intake Specialist at Eden Center.  She brings a special insight to this endeavor:

 

 

Bonnie, Please respond to the following thoughts:

 

Identify/describe the disabled and/or special needs learners of the Verde Valley:

The Children’s Rehabilitative Center (CRS) has 4 clinics in Arizona.  The current active participants in these clinics are as follows:  Flagstaff 2,416; Phoenix 11,787; Tucson 4,646; and Yuma 1,007.  The conditions accepted for care include, but are not limited to:

  • Deformities present at birth
  • Many muscle and nerve disorders
  • Some conditions of epilepsy
  • Heart conditions due to congenital deformities and those resulting from rheumatic fever
  • Cerebral palsy
  • Certain eye and ear conditions
  • Cystic fibrosis
  • Burn scars which cause functional limitations
  • PKU and other related metabolic disorders
  • Sickle cell anemia
  • Neurofibromatosis
  • Hydrocephalus
  • Rheumatoid arthritis
  • Diabetes
  • Asthma

 

In addition, children with special needs in the Verde Valley, and/or children serviced by the Division of Developmental Disabilities, Verde Valley Guidance Clinic and Yavapai County Long Term Care (those with physical disabilities) are presented as follows:

SEDONA: # of Children with IEPs in Sedona School Dist:  170

                  # of Children with IEPs in Charter Schools: 10 (estimate)

 

COTTONWOOD/CORNVILLE: # of Children with IEPs in Ctd/Oak Creek School District:  240

# of Children with IEPs in Mingus Union High District: 120

# of Children with IEPs in Charter Schools: 30 (estimate)

 

CLARKDALE/JEROME: # of Children with IEPs in School District: 34

LAKE MONTEZUMA/BEAVER CREEK: # of Children with IEPs in School District: 35

CAMP VERDE: # of Children with IEPs in School District: 250

# of Children with IEPs in Charter Schools: 20 (estimate)

 

AREA TOTALS: Number of Children in Eastern Yavapai County: 11,064 (2000 census)

Number of Children with IEPs (Individualized Education Program): 909

Number of Children served by the Division of Developmental Disabilities: 96

Number of Children served by the Verde Valley Guidance Clinic: 325

Number of Children served by Yavapai County Long Term Care (physical disabilities):  25

 

 

Action Partnership for People with Special Needs, 2004 Statistic Sheet

 

           

List ways in which the disabled and/or special needs students of the Verde Valley would benefit from attending The Performing Arts Center of Northern Arizona. 

            The benefits are as varied as the students.  It is an exciting endeavor in which students may experience, many for the first time, performing arts.  Special needs learners deserve the same chances in life as do other learners and I whole-heartedly support the concept of such a camp. 

            I believe that children with special needs are more deeply touched with the beauty of art and the joy of participating, not just listening or watching a musical performance, but really feeling and becoming an integral part of the whole experience.

            Confidence, encouragement to try something new, making new friends, finding new skills, improving responsibility, having the chance to receive applause from a real audience, being away from home, the list is endless—what a joy!

 

 

 

How do you see marketing the camp programs to this target population?

            Parent leader teams for children with special needs

            Newsletters

            Discovery Connection (after school programs)

            Personal Contacts with each Department of Special Needs

            DDD; DES; LTC—Talk with case managers

            ARC

            School Districts

            Charter/Private Schools

            Home School Coalitions

            Churches

            Youth Organizations (Boys-Girls Clubs)

 

What special needs, beyond basic ADA code, does Pac-Naz need to be aware of in order to structure activities and/or facilities to meet the needs specific to the Verde Valley learners?

            I am aware that the builder of this project has agreed to meet with an OT (Occupational Therapist) as a special consultant with regard to facilities.

            I am delighted that Disability Awareness Training will take place for campers, staff, faculty, and entire team associated with this project.  I see evidence of strong individualization toward each learner—this is very good.

 

Comment on the following:

            Tuition:  I suggest grants be written to provide fees for the care givers.  I support the scholarship program which is in place.  Respite care hours may be a possibility. 

 

Registration Forms: (meds, special equipment, diet, physical limitations, etc):  Perhaps volunteers could be available to help complete forms to attend camp.  Forms can be confusing.  I am willing to help create the special needs camp registration forms.  I have samples of registration forms which may serve as guidelines. 

Registration form note:  All Health Care Aides accompanying campers retain employee status between contracted family and health care provider.  Pac-Naz provides no health care aides. 

 

Scholarship Forms:  I feel that the majority of the special needs campers will need to have financial help. 

 

Transportation: School districts may bring students in school transportation vehicles; some centers have their own vehicles; parents may be able to carpool; churches may provide transportation for their families attending.

 

 

Personal Items required:  i.e. helmets, bed bolsters, This is specific to each camper.  Each camper/caregiver, will know their personal  needs.  Pac-Naz will not provide personal health care items. Balls, bats, sports equipment in general, will be on campus for all camps to use. 

 

Do you see a need to give special address to food services—other than information to be gathered via the registration?

            Not necessarily.  With practical registration forms all necessary information will be collected.  With specific menus available-- campers may have an opportunity to plan whether or not the menus coordinate with special dietary needs, and make necessary adjustments or arrangements. 

 

Compare and/or Contrast other similar camps:

One of the reasons I am so delighted with this concept is that I know of no other camp featuring Performing Arts Education.  This is an area in which special needs learners are often left out—it is time to notice such a tragedy and to do something about.  This project is very timely.

 

How do you see this summer activity unique from other summer activities available for Verde Valley special needs learners?

            Employees of Pac-Naz will experience learning in a very positive way.  Campers will be able to excel in their own individual ways. 

 

Comment on the ideal length of the performing arts camp experience:

            2-3 days, during the week,  summer only, or any other season:

 

 

            1-2 days weekend,  summer only, or any other season:

 

 

            5 days - Full week, summer only, or any other season:

 

 

             Up to Two weeks,  summer only, or any other season:

 

            I like 5 days, max, for adults; Probably 5 days for children

            and the parent or health care provider, as well.

            I feel that the 2-week, regularly scheduled camps for the “at

 risk students” will provide a worthwhile experience.

 

 

Can you recommend, in your opinion, the ideal age of the Verde Valley special learner to attend sleep away performing arts camp?

            I expect a parent may want to accompany a young child.  The goal of Pac-Naz is to provide Performing Arts Education for learners of grade 3 through college age.  I think this age would work for the special needs learners, as well.

           

Pac-Naz has a state of the art computer lab, MIDI interfaced.  Please comment about the overall experience of the typical Verde Valley special learner with regard to an operational level in a computer lab:

            I have limited knowledge here—I know most special needs learners attending school, use the computer lab, in such cases where the school has a lab.  Whether or not the individual classrooms have computers, I am not sure.  I believe that most of the special needs children do not have computers in their homes.

 

In your opinion, do you feel that the typical Verde Valley special need student would attend camp with a health care professional as aide? 

            It depends on the situation.  A health care professional may be able to care for more than one student, depending on the care needs.  Registration forms for both the student and the caregiver are needed. 

 

How do you interpret costs to Pac-Naz with regard to housing and food for said aide? 

            Perhaps a grant would be able to include the aide’s costs.  Parents may or may not be able to allocate respite hours.  Scholarship money may also be an avenue in which the aide could be covered.  It would be a great loss if a child could qualify for scholarship support and then could not attend camp due to lack of funds for the health care provider or aide.  I feel it needs to be a “package” that would fund both the camper and the health care provider for cases where a health care provider or aide must accompany the camper. 

 

 

Other: With the issue of housing:  Please be advised that you may have the caregiver of different sex than the camper.  With proper information on the registration forms, your property manager will be able to assign housing that would allow for the sharing of quarters to be separated sleeping areas, yet in the same quarters. 

 

I am in full support of this worthwhile project.  I look forward to continued association.  I offer my services and help in any other way that I may contribute toward this project’s success.

 

We encourage community leadership and networking.  A comprehensive Volunteerism program has been created and will serve as a great strengthening part of this focus. 

 

“If you paint in your mind a picture of bright and happy expectations, you put yourself into a condition conductive to your goal.” Norman Vincent Peale

 

                 WELCOME TO HOLLAND

 

I am often asked to describe the experience of raising a child with a disability - to try to help people who have not shared that unique experience

to understand it, to imagine how it would feel. It's like this . . .

When you're going to have a baby, it's like planning a wonderful vacation trip to Italy. You get a bunch of guide books and make all your plans. The Colosseum . . . the Michelangelo David . . . the gondolas of Venice. You get a book of handy phrases and learn how to say a few words in Italian. It's all very exciting".

"Finally, the time comes for your trip. You pack your bags and off you go. Several hours later, the plane lands. The stewardess comes in and says:

"Welcome to Holland."

"Holland?!" you say. "Holland? I signed up for Italy. All my life I've dreamed of going to Italy!

"I'm sorry," she says. "There's been a change and we've landed in Holland."


But I don't know anything about Holland! I never thought of going to Holland! "I have no idea what you do in Holland!"

What's important is that they haven't taken you to a terrible, ugly place, full of famine, pestilence and disease. It's just a different place.

So you have to go out and buy a whole new set of guide books . . . you have to learn a whole new language . . . and you'll meet a whole new bunch of people you would never have met otherwise.

Holland. It's slower paced than Italy, less flashy than Italy . . . 

but after you've been there for a while, and you've had a chance to catch your breath, you look around and begin to discover that Holland has windmills and Holland has tulips - Holland even has Rembrandts.  

But everyone you know is busy coming and going from Italy . . . and they're all bragging about what a great time they had there. And for the rest of your life you will say, "Yes, that's where I was supposed to go. That's what I planned." And the pain of that will never, ever, ever, ever go away. And you must accept that pain - because the loss of that dream is a very, very significant loss.

But . . . if you spend your time mourning the fact that you never got to go to Italy, you may never be available to enjoy the very lovely, very special things about Holland.

"Welcome to Holland!"   by Emily Perly Kingsley

 

 

 “The only thing that stands between a man and what he wants from life is often merely the will to try it and the faith to believe that it is possible.” Richard M. DeVos  

 

 

 
“The only thing that stands between a man and what he wants from life is often merely the will to try it and the faith to believe that it is possible.” Richard M. DeVos  
 
“The only thing that stands between a man and what he wants from life is often merely the will to try it and the faith to believe that it is possible.” Richard M. DeVos